This story was originally published by ArtsATL. The Atlanta Symphony Orchestra and Chorus convened Thursday evening at Symphony Hall for a performance of Johann Sebastian Bach’s sprawling epic “St.
A man of the church, not the theater, Bach did not write for dance. But dance was at his core. His instrumental suites, partitas and concertos, made of dance forms, can include some of the most ...
The Choir of Westminster Abbey is joined by leading orchestra The English Concert for this Holy Week performance of Bach’s powerful Matthäus-Passion (St Matthew Passion), sung in German. Members of ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick Jaap van Zweden is not known for Bach. But the “St. Matthew Passion” made for one of his finest New York Philharmonic concerts this ...
Performances in N.Y.C. Advertisement Supported by Bernard Labadie led the Orchestra of St. Luke’s, and three choirs, in Bach’s sprawling, meditative masterpiece. By Joshua Barone Of Bach’s two ...
From a performance of Bach's St. Matthew Passion by the Bach Collegium of Japan, we hear two choruses: "We Sit Down in Tears," the opening chorus, and "Come, ye daughters, help me mourn," which closes ...
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‘St. John Passion’: Bach’s Strange, Sublime Oratorio
Johann Sebastian Bach’s “St. John Passion,” which had its premiere on Good Friday 1724, doesn’t so much begin as erupt. In the swirling, agitated strings and piercing cries of oboes, we instantly ...
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